J S Bach - Intermediate Selections

Keyboard Score by Contrapunctus Press

Johann Sebastian Bach

Intermediate

Selections

Contrapunctus Press

Keyboard Score

Intermediate Selections

for Keyboard

Johann Sebastian Bach

Edited and Engraved by Dr. Dominic Florence

This score is a scholarly edition based upon original sources,

and is presented without fingering or editorial additions.

This score is published in Canada and is licensed for

distribution under the Creative Commons Attribution-

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Table of Contents

Prelude and Fugue

.

.

.

.

. Page 1

Well-Tempered Clavier, Bk. 1 No. 1, BWV 846

Adagio .

.

.

.

.

.

.

. Page 6

from Toccata in E minor, BWV 914

Gavotte .

.

.

.

.

.

.

. Page 9

from Suite in G major, BWV 816

Sinfonia 15 .

.

.

.

.

.

. Page 10

B minor, BWV 801

Contrapunctus I .

.

.

.

.

. Page 12

from The Art of Fugue, BWV 1080

Prelude .

.

.

.

.

.

.

. Page 16

F major, BWV 927

Gigue

.

.

.

.

.

.

.

. Page 17

from Suite in A minor, BWV 807

Aria

.

.

.

.

.

.

.

. Page 20

from Aria with Diverse Variations, BWV 988

      

      

      

     

 

 

 

 

 

      

     

      

     

 

 

 

 

 

  

   

  

  

      

     

 

 

 

 

 

  

   

  

  

      

     

 

 

 

 

 

      

     

     

     

 

 

 

 

 

Prelude and Fugue

© ���� Contrapunctus Press

Joh. Seb. Bach

Well-Tempered Clavier, Bk. � No. �, BWV ���

Præludium

      

     

     

     

 

 



 

 

11

  

   

  

  

      

     

 

 



 

 

13

  

   

  

  

      

     

 

 

 

 

 

15

      

     

      

     

 

 

 

 

 

17

      

     

      

     

 

 

 

 

 

19

      

     

     

     



 

 

 

21

      

     

      

     



 

 





 

23

      

     

      

     





 

 

 

25

      

     

     

     

 

 





 

27

  

   

  

  

      

     

 



 

 

 

29

      

     

      

     

 

 

 

31

      

             



      

 



 

33

       

             

       

 







 

      

 

 



              

   

    





 

   

    







   



   



       

    

 

  



   

 

    

    



  

  

    

        

  

 

  

 





    

  

    

 

   

    

   



       

   

   

 

10

      

 

      

  







   





  

  

   

 

12

Fuga a � v.

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